Undergraduate Teacing
As an experienced undergraduate lecturer, I have a wide range of expertise teaching on diverse modules and courses. My teaching practice is highly reflective and encompasses a spectrum of techniques and pedagogical approaches. From traditional 'sage on the stage' techniques to inquiry- and problem-based learning, as well as integrating work-related experiential learning, my facilitation of teaching has benefitted from working with students on many different kinds of theory and practice-based modules during my career. I have also acted as a programme leader, level co-ordinator and academic tutor.
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BA (Hons) Media Production (Radio, Journalism & Film and Television)
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Introduction to Media (Level four; Module Director, Lecturer, Tutor)
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Researching Media Industries (Level four; Module Director, Lecturer, Tutor)
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Media Contexts and Debates (Level four; Lecturer, Tutor)
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Drama Project (Level four; Lecturer, Tutor)
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Media Production Skills (Level four; Lecturer, Tutor)
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Indies: To Indiewood and Beyond (Level five; Module Director, Lecturer, Tutor)
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Genre (level five; Module Director, Lecturer, Tutor)
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Short Film Project (Level five; Lecturer, Tutor)
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Radio/Podcast Project (Level five; Module Director)
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Professional Practice (Level five; Lecturer)
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Advanced Production Skills: Directing (Level six; Module Director, Tutor)
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Research Project (Level six; Module Director, Supervisor)
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Final Project (Level six; Module Director, Lecturer, Supervisor)
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Studio Production (Radio) (Level six; Module Director)
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Studio Production (TV) (Level six; Tutor)
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BA (Hons) Film Studies
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Independent Cinema (Level five: Lecturer)
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Transnational Cinema (Level six; Module director, Lecturer)
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BA (Hons) Film and Television Production (2007-2017)
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Video Workshops (Level four; Module Director, Lecturer, Tutor)
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Ideology of the Image (Level four; Module Director, Lecturer, Tutor)
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Reading the Media (Level four; Module Director, Lecturer, Tutor)
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Film and Television: Channels of Communication (Level four; Module Director, Lecturer, Tutor)
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Fiction Production: Encoding Reality (Level four; Module Director, Lecturer)
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The Culture Industry: Manipulating Realities (Level four; Module Director, Lecturer, Tutor)
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Screen Language (Level four; Module Director, Lecturer, Tutor)
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Society On Screen (Level four; Module Director, Lecturer, Tutor)
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Fiction Production: Contextualised Practice (Level five; Lecturer)
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Cinematic Contexts (Level five; Module Director, Lecturer, Tutor)
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Global Audio-Visual Cultures (Level five; Module Director, Lecturer, Tutor)
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The Body is the Frame: Performance (Level five; Lecturer, Tutor)
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Big Screen Project: Film (Level five; Lecturer, Tutor)
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Critical Media (Level five; Module director, Lecturer, Tutor)
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Realism and Anti-Realism (Level six; Module Director, Lecturer, Tutor)
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Collapse of Order (Level six; Module Director, Lecturer, Tutor)
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Fiction Production: The Cinematic Experience (Level six; Lecturer, tutor, film supervisor)
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Professional and Reflexive Practice (Level six; Co-Module Director, lecturer, tutor, supervisor)
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Dissertation (Level six; Module Director, Supervisor)
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Research Project (Level six; Module Director, Supervisor)
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University of Aberdeen (2004-2007)
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Introduction to American Cinema (Year one; Lecturer, Tutor)
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Global (Other) Cinemas (Year two; Convener, Lecturer, Tutor)
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Gendering Violence (Year two; Lecturer)
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New Hollywood (Year three; Lecturer, Tutor)
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Film Theory (Year three; Convener, Lecturer, Tutor)
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Theories of the Visible (Year three; Author, Convener, Lecturer, Tutor)
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Crouching Tigers, Hidden Dragons: The Spectacle of Performance in Martial Arts Cinema (Year four; Author, Convener, Lecturer, Tutor)
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Technological Subjects (Year four; Convener, Lecturer, Tutor)
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Visual Culture (MLitt; Tutor)

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